What sets The Shannara Chronicles apart from its immediate competition, however, is that it is neither high Medieval fantasy nor futuristic fantasy. Rather, the series cleverly hedges the divide by solidly staking out territory in both camps.
Last summer I wrote about the Game of Thrones opera that was premiering in New York City to much delight. Of course there needed to be a Khaleesi opera in the world, why hadn’t someone done this sooner? The sheer idea of it delighted me … Continue reading Review: One World Symphony’s Hannibal Opera